• APPLY FOR THE MSCN FILM MUSIC FESTIVALS ACADEMY MENTORSHIP PROGRAMME 2026

    The 2026 MSCN Film Music Festivals Academy Mentorship programme, now in it’s fourth edition, is a unique mentoring and career acceleration programme for emerging media music professionals that culminates in networking, professional matchmaking, and industry screening events at Music&Cinema Marseille and Soundtrack_Cologne. The deadline for applications is 1st December 2025.

  • MINCO EGGERSMAN - WORKING INTERNATIONALLY

    In this video, Minco talks about collaborating remotely with musicians such as an organist in the South of France, about incorporating cultural aspects into his music, and, last but not least, about the Unifony project in collaboration with Theodoor Borger at Studio Klankzicht.

  • </Alice> - Music Producer, Composer and Artist

    Through electronic soundscapes, vocals, and layers of effects, </alice> creates an electronic dreamworld constantly interrupted by glitches and fractures. Inspired by how glitches can create space for women/x in the electronic music scene, she uses the glitch both conceptually and aesthetically.

  • REVIEW OF THE BOOK "YOU SHOOT | I SCORE" BY KARL HEORTWEARD

    A very positive review of the book "You Shoot | I Score." A book by Karl Heortweard that covers all the situations, questions, and problems you might encounter as a media composer. Whether you have a degree or not, networking, working with directors, budgeting, contracts, copyright—you name it, it's all covered in this book.

  • FROM MARILY MANSON TO MAXXXINE: TYLER BATES HORROR, GRIT AND CREATIVE SURRENDER

    In the series about horror film music, Michiel Marsman interviews Tyler Bates about his musical background and his film music for Ti West's film X. Tyler Bates is not your average film composer. With a résumé spanning over a hundred film, television, and game projects, Bates’ creative reach is vast.

  • ANATOMY OF A CUE #11 - FONS BEIJER - FULL MOON

    In this episode of Anatomy of a Cue, film composer Fons Beijer explains the music he created for the movie Full Moon, set in Thailand. Working with a hybrid of Thai instruments and orchestral sounds, he brings character to the score and foreshadows the darker turns the story will take.

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