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ANATOMY OF A CUE #11 - FONS BEIJER - FULL MOON
In this episode of Anatomy of a Cue, film composer Fons Beijer explains the music he created for the movie Full Moon, set in Thailand. Working with a hybrid of Thai instruments and orchestral sounds, he brings character to the score and foreshadows the darker turns the story will take.
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MINCO EGGERSMAN - AN IDIOSYNCRATIC COMPOSER (PART 1)
A number of interesting topics are discussed in this video: working as an autodidact, leaving 'mistakes' in your music, a minimalist approach, developing your own 'voice' which in Minco's case is often a melancholic and minimal voice.
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SOUNDTRACK_COLOGNE 22 · 8–11 JULY 2025 · COMEDIA THEATER COLOGNE
SoundTrack Cologne 22 (8-11 July 2025) is about to start at the COMEDIA Theater Cologne. The program offers an impressive lineup with over 60 events tailored to the needs of the European film and media music industry!
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DIFFUSING MUSIC: A THOUGHT-PROVOKING PERSPECTIVE ON MUSIC, AI AND THE FUTURE
In ‘Diffusing Music’, Ben Neill explores how technology is reshaping music, enabling unprecedented levels of creativity and transforming how we share and experience sound. Envisioning a world in which everyone can participate in music creation using technologies including AI, Neill challenges readers to adapt to creating for that context. For PK, Ivo Witteveen interviewed the author.
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JORIS DANIEL HOOGSTEDER - EXPERIENCES AND ADVICE FOR A CAREER AS A COMPOSER IN LA, USA.
In the third part of our talk with Joris Daniel Hoogsteder, he offers some guidance and perspective on working in LA.
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DISTORTED BEAUTY: RAFFERTIE ON CRAFTING "THE SUBSTANCE " SCORE
In his series about horror film music, Michiel Marsman talks to Benjamin Stefanski (Raffertie) about his score and the related creative process including the collaboration with director Coralie Fargeat for the film The Substance. A 2024 body horror film which follows a fading celebrity, Elisabeth Sparkle (Demi Moore).

SoundTrack Cologne 22 (8-11 July 2025) is about to start at the COMEDIA Theater Cologne!
news around the media music scene
MY Kitchen
Minco gives insight into the beginning of his career, working as an autodidact, leaving 'mistakes' in your music, and developing your own 'voice'.
media composers visited at their studio
Aisling Brouwer explains everything about the score which she created together with Anna Phoebe for the film Savage Waters
videotalks with an international touch
Private Kitchen talks with Ben Neill about his insightful book ‘Diffusing Music’ which connects AI to preceding technological and cultural developments.
developments in AI usage for music

How media music composers ‘make things’

Take a dive into the score for Dutch thriller Full Moon with film composer Fons Beijer
New Chefs in Town
meet up-and-coming talent!

Bram van Klink is a composer and sound artist that creates compositions, installations, and performances.

SERIES HIGHLIGHT

THE STATE OF AI AND MUSIC - 2025
Marieke de Bruin, Allard Buwalda and Jeroen de Rijk talk with host Ivo Witteveen about their experiences as professional session musicians.
Private Kitchen talks with Ben Neill about his insightful book ‘Diffusing Music’ which connects AI to preceding technological and cultural developments.
In this second video Private Kitchen delves deeper into the consequences and possibilities of 'AI in Music' for media composers.
A session about AI and Music with Janne Spijkervet, Matties Grooten, Than van Nispen and Ivo Witteveen.
Will using AI-powered assistance in the composition process only only change your musical output, or will it change you as well?
Haarlem-based, French-born composer Manel Fornells was crowned winner of the AI Composition Competition during the Buma Music in Motion event.
The nominees for the AI Composition Competition 2024 Award have been announced!
On June 5 2024 Buma Music in Motion will organize the BMiM Special: the networking and knowledge event for everyone working in music media.
From Ablegen to Suno, AI's dual role as both helper and challenger is creating a new dynamic in media music creation.
Participate in the AI - Composition Competition 2024, a wonderful opportunity to find out what you can do with AI as a media composer!
This article discusses sustainable media music production, reducing carbon footprint and waste, and advocating collective environmental responsibility in our media music industry.
In this third episode, Marieke de Bruijn, Allard Buwalda and Jeroen de Rijk discuss the business side of the working as a session player
AI enhances media music composition by automating aspects like melody and orchestration, but human creativity adds emotional depth and uniqueness.
In this second episode, seasoned session musicians Marieke de Bruijn, Allard Buwalda and Jeroen de Rijk focus on the collaboration between session player and the composer/producer.
In our new 3-part series we talk with three experienced session musicians about life ‘on the other side’ of the studio control room window.
Three experts dive into the world of AI and media music on the initiative of Buma Music in Motion
28 june 2023: A free Symposium exclusively about the use and effects of Artificial Intelligence in Music production.
In this article, we discuss more in detail the possibilities of the Circumplex Model of Emotion for media composers.
In this article, we explore the relationship between various musical parameters and emotions using the Circumplex Model of Emotion.
In this introductory article, we'll provide an insight into a unique partnership between GPT-4 and a Human Liaison.
This article is an introduction and example on how humans and computers already co-create (musical) content


WORKFLOW IMPROVEMENTS
Dennis Braunsdorf talks about efficiency tools for media composers

Dennis Braunsdorf demonstrates the Artefakt Guitar, a versatile instrument with the unique imperfections and nuances of a real guitarist
more about rights for media music composers

Erwin Angad-Gaur describes the Dutch Neighboring Rights Act, de Wet op Naburige Rechten, and its importance for media composers.

PREVIOUS STUDIO VISIT
our host Alexa Rodrigues visits a media music composer “in the studio”.
In this video Annelotte explains her plans for the future: composing and producing her own album.
In this video Annelotte talks about her collaboration with directors Florence Bouvy and Max Baggerman.
Annelotte tells us about her experiences creating music for the film When you grow up from director Max Baggerman.
Annelotte Coster describes her collaborations with a variety of directors.
Annelotte Coster provides insight into her combined practice of media composer and live performer.
Annelotte Coster is a film composer and performer. The combination of being a composer and a live musician is one she cherishes.
Matthijs talks about his way of making music and demonstrates his adaptive system for game music.
Matthijs talks about his way of making music and demonstrates his adaptive system for game music.
Watch in this video how Matthijs Dierckx started his musical career as a composer and sound designer for games during a game jam.
Matthijs works in the game industry as a composer & sound designer (but also as journalist, designer, writer, and event organizer).

competitions with an eye for media music

Haarlem-based, French-born composer Manel Fornells was crowned winner of the AI Composition Competition during the Buma Music in Motion event.
Nominations & Awards for media music composers

Audentity wins Mr. Zee Best Soundtrack Award for the short film Iskander during the Shortcutz Amsterdam Awards Gala!

Composer Renger Koning and his music for the choreography We, Us and other Games from Dunja Jocić
what composers sent us to share with you!
A new electro-acoustic score for the groundbreaking silent film The Phantom Carriage composed by no fewer than 16 composers!
events around media music composition
Minco gives insight into the beginning of his career, working as an autodidact, leaving 'mistakes' in your music, and developing your own 'voice'.
all Private Kitchen publications
how media composers create Private kitchen for media composers

OUT OF THE BOX
a grasp of earlier Private Kitchen interviews with renowned media composers

