Anatomy of a cue
Composing media music is about making things.
In our Anatomy of a Cue series, composers show how they do it.
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Composing media music is about making things.
In our Anatomy of a Cue series, composers show how they do it.
Composer Celia Swart tells about the connections her audiovisual work Our Patio has with a building by Dudok, a flute ensemble - and two people embracing.
See how composer/sound designer Bertus Pelser intertwines music & sound design in his remarkable soundtrack for the Playgrounds Inmotion trailer
In this episode, Merlijn Snitker details the origin of one specific theme from his award-winning score for The Resistance Banker.
Media composer Rens Machielse provides insight into the creation of the animation film Balcony Cacophony and the accompanying soundtrack.
Join composer Nicholas Thayer as he discusses his composition process for In:finite, a piece for Skånes Dansteater.
Follow Federico Solazzo as he traces back his steps, revealing how he created the soundtrack for the Oscar-nominated animation ‘It’s Nice In Here’
Composer and pianist Guido Heeneman paints an inspiring anatomy of a cue for the documentary series Krabbé Zoekt Kahlo
Composer Matthijs Kieboom details the anatomy of an action scene from his latest Pirates film.
Composer Ivo Witteveen talks about his piece 'I Paint Modern' for the video installation in the Mondriaanhuis museum
Composer Joris de Man takes apart his main theme from the blockbuster PlayStation game Horizon Forbidden West.